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[Music]
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thanks<00:00:10.379> for<00:00:10.530> staying<00:00:10.709> with<00:00:10.799> us<00:00:10.919> a<00:00:11.190> tough<00:00:11.309> stay
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thanks for staying with us a tough stay
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thanks for staying with us a tough stay
alive<00:00:11.730> I'm<00:00:12.030> Sarah<00:00:12.389> Bernard<00:00:12.780> we're<00:00:13.049> learning
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alive I'm Sarah Bernard we're learning
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alive I'm Sarah Bernard we're learning
about<00:00:13.499> st.<00:00:14.039> Louis<00:00:14.129> Civic<00:00:14.669> Orchestra<00:00:14.820> with<00:00:15.179> my
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about st. Louis Civic Orchestra with my
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about st. Louis Civic Orchestra with my
guests<00:00:15.719> board<00:00:15.929> president<00:00:16.470> Larry<00:00:16.650> Levan<00:00:17.070> in
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guests board president Larry Levan in
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guests board president Larry Levan in
maestro<00:00:18.030> Edward<00:00:18.510> Dabashi<00:00:18.960> and<00:00:19.260> welcome<00:00:19.620> back
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maestro Edward Dabashi and welcome back
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maestro Edward Dabashi and welcome back
both<00:00:20.130> of<00:00:20.160> you<00:00:20.460> so<00:00:20.810> exciting<00:00:21.810> really
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both of you so exciting really
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both of you so exciting really
interesting<00:00:22.500> to<00:00:22.560> hear<00:00:22.770> about<00:00:22.890> the<00:00:23.190> 70<00:00:24.090> years
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interesting to hear about the 70 years
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interesting to hear about the 70 years
of<00:00:24.390> history<00:00:24.690> of<00:00:24.750> the<00:00:24.840> st.<00:00:25.020> Louis<00:00:25.170> Civic
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of history of the st. Louis Civic
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of history of the st. Louis Civic
Orchestra<00:00:25.740> with<00:00:26.160> very<00:00:26.430> very<00:00:26.610> talented
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Orchestra with very very talented
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Orchestra with very very talented
musicians<00:00:27.660> and<00:00:27.840> how<00:00:28.230> many<00:00:28.440> musicians<00:00:29.010> are<00:00:29.190> in
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musicians and how many musicians are in
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musicians and how many musicians are in
the<00:00:29.430> orchestra<00:00:29.670> Larry<00:00:30.000> it<00:00:30.270> depends<00:00:30.690> on<00:00:30.780> the
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the orchestra Larry it depends on the
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the orchestra Larry it depends on the
concert<00:00:31.350> in<00:00:31.470> the<00:00:31.560> year<00:00:31.740> but<00:00:31.920> typically
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concert in the year but typically
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concert in the year but typically
between<00:00:32.640> 60<00:00:33.090> and<00:00:33.120> 70<00:00:33.660> musicians<00:00:34.250> and<00:00:35.250> then<00:00:35.430> we
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between 60 and 70 musicians and then we
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between 60 and 70 musicians and then we
have<00:00:35.670> lots<00:00:35.910> of<00:00:36.120> collaborative<00:00:37.040> groups<00:00:38.040> that
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have lots of collaborative groups that
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have lots of collaborative groups that
play<00:00:38.430> with<00:00:38.670> us<00:00:38.850> so<00:00:39.060> often<00:00:39.420> the<00:00:39.510> number<00:00:39.630> swells
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play with us so often the number swells
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play with us so often the number swells
to<00:00:40.470> 90<00:00:40.920> 100<00:00:41.690> yeah<00:00:42.690> we've<00:00:43.170> had<00:00:43.320> parkway
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to 90 100 yeah we've had parkway
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to 90 100 yeah we've had parkway
ensembles<00:00:44.430> and<00:00:44.610> other<00:00:44.850> arts<00:00:45.180> organizations
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ensembles and other arts organizations
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ensembles and other arts organizations
in<00:00:46.110> the<00:00:46.290> community<00:00:46.710> play<00:00:47.280> like<00:00:47.489> Alexandra
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in the community play like Alexandra
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in the community play like Alexandra
ballet<00:00:48.510> we<00:00:49.290> just<00:00:49.500> had<00:00:49.649> the<00:00:49.770> great<00:00:49.920> barbershop
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ballet we just had the great barbershop
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ballet we just had the great barbershop
quartet<00:00:50.850> vocal<00:00:51.210> spectrum<00:00:51.750> perform<00:00:52.230> with<00:00:52.410> us
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quartet vocal spectrum perform with us
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quartet vocal spectrum perform with us
we<00:00:53.250> trying<00:00:53.489> to<00:00:53.550> have<00:00:53.670> a<00:00:53.700> lot<00:00:53.850> of<00:00:53.880> different<00:00:54.360> and
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we trying to have a lot of different and
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we trying to have a lot of different and
diverse<00:00:54.600> folks<00:00:55.230> play<00:00:55.530> with<00:00:55.710> us<00:00:55.829> as<00:00:55.980> as<00:00:56.670> we're
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diverse folks play with us as as we're
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diverse folks play with us as as we're
having<00:00:57.120> it<00:00:57.360> this<00:00:57.480> particular<00:00:57.720> concert<00:00:58.350> hey
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having it this particular concert hey
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having it this particular concert hey
drew<00:00:59.370> why<00:00:59.520> don't<00:00:59.700> we<00:00:59.790> talk<00:01:00.059> about<00:01:00.270> the
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drew why don't we talk about the
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drew why don't we talk about the
upcoming<00:01:00.750> concert<00:01:01.469> and<00:01:01.649> who<00:01:01.739> are<00:01:01.890> the<00:01:02.040> special
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upcoming concert and who are the special
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upcoming concert and who are the special
guests<00:01:02.989> this<00:01:03.989> being<00:01:04.259> a<00:01:04.350> jazz<00:01:04.680> inspired
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guests this being a jazz inspired
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guests this being a jazz inspired
concert<00:01:05.970> we're<00:01:06.930> gonna<00:01:07.049> open<00:01:07.229> the<00:01:07.440> concert
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concert we're gonna open the concert
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concert we're gonna open the concert
with<00:01:08.250> a<00:01:08.280> medley<00:01:08.880> of<00:01:09.200> Duke<00:01:10.200> Ellington<00:01:10.380> tunes
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with a medley of Duke Ellington tunes
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with a medley of Duke Ellington tunes
Duke<00:01:12.150> Ellington<00:01:12.330> was<00:01:12.930> a<00:01:12.960> one<00:01:13.799> of<00:01:13.920> the<00:01:13.979> great
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Duke Ellington was a one of the great
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Duke Ellington was a one of the great
band<00:01:14.729> leaders<00:01:15.120> of<00:01:15.360> the<00:01:15.479> 20th<00:01:15.810> century<00:01:16.140> in<00:01:16.320> fact
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band leaders of the 20th century in fact
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band leaders of the 20th century in fact
by<00:01:17.190> the<00:01:17.250> time<00:01:17.549> he<00:01:17.760> was<00:01:17.820> in<00:01:17.940> his<00:01:18.030> early<00:01:18.119> 20s<00:01:18.510> in
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by the time he was in his early 20s in
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by the time he was in his early 20s in
1924<00:01:20.159> he<00:01:20.970> was<00:01:21.090> already<00:01:21.270> a<00:01:21.390> bandleader<00:01:21.869> and<00:01:22.490> and
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1924 he was already a bandleader and and
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1924 he was already a bandleader and and
this<00:01:23.640> fits<00:01:23.880> right<00:01:24.180> in<00:01:24.390> at<00:01:24.810> the<00:01:24.840> same<00:01:25.140> time
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this fits right in at the same time
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this fits right in at the same time
period<00:01:25.710> of<00:01:26.040> our<00:01:26.250> special<00:01:26.760> guests
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period of our special guests
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period of our special guests
TJ<00:01:28.200> Muller<00:01:28.470> and<00:01:29.189> his<00:01:29.790> little<00:01:30.540> group<00:01:30.840> called
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TJ Muller and his little group called
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TJ Muller and his little group called
The<00:01:31.229> Gaslight<00:01:31.439> squares<00:01:32.159> they're<00:01:32.490> gonna<00:01:32.580> come
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The Gaslight squares they're gonna come
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The Gaslight squares they're gonna come
in<00:01:32.850> and<00:01:33.030> join<00:01:33.299> us<00:01:33.330> so<00:01:34.290> we're<00:01:34.409> gonna<00:01:34.500> start<00:01:34.799> with
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in and join us so we're gonna start with
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in and join us so we're gonna start with
the<00:01:35.100> Duke<00:01:35.460> Ellington<00:01:35.880> medley<00:01:36.240> then<00:01:36.930> bring<00:01:37.320> out
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the Duke Ellington medley then bring out
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the Duke Ellington medley then bring out
TJ<00:01:38.040> Muller<00:01:38.400> and<00:01:38.760> he'll<00:01:39.450> do<00:01:39.630> a<00:01:39.659> set<00:01:40.310> and<00:01:41.310> then
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TJ Muller and he'll do a set and then
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TJ Muller and he'll do a set and then
we're<00:01:41.970> going<00:01:42.119> to<00:01:42.240> join<00:01:42.479> together<00:01:42.750> the
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we're going to join together the
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we're going to join together the
orchestra<00:01:43.920> and<00:01:44.130> TJ<00:01:44.759> Miller<00:01:44.970> on<00:01:45.180> a<00:01:45.240> rendition
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orchestra and TJ Miller on a rendition
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orchestra and TJ Miller on a rendition
of<00:01:46.880> Welles<00:01:47.880> again<00:01:48.180> happy<00:01:48.990> days<00:01:49.020> are<00:01:49.380> here
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of Welles again happy days are here
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of Welles again happy days are here
again<00:01:50.630> arranged<00:01:51.630> by<00:01:51.780> one<00:01:51.960> of<00:01:52.080> our<00:01:52.200> board
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again arranged by one of our board
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again arranged by one of our board
members<00:01:52.830> Sam<00:01:53.220> Holden<00:01:53.610> and<00:01:54.210> then<00:01:54.659> we<00:01:54.810> come<00:01:54.990> back
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members Sam Holden and then we come back
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members Sam Holden and then we come back
after<00:01:55.500> an<00:01:55.799> emission<00:01:56.130> and<00:01:56.310> do<00:01:56.700> three<00:01:57.000> dance
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after an emission and do three dance
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after an emission and do three dance
episodes<00:01:57.780> by<00:01:58.140> Leonard<00:01:58.710> Bernstein<00:01:59.220> from<00:02:00.210> on
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episodes by Leonard Bernstein from on
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episodes by Leonard Bernstein from on
the<00:02:00.750> town<00:02:00.990> and<00:02:01.350> and<00:02:02.070> with<00:02:02.490> the<00:02:02.670> ever-popular
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the town and and with the ever-popular
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the town and and with the ever-popular
Gershwin<00:02:05.119> composition<00:02:06.119> called<00:02:06.360> an<00:02:06.630> American
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Gershwin composition called an American
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Gershwin composition called an American
in<00:02:07.350> Paris<00:02:07.380> so<00:02:08.369> is<00:02:08.640> doing<00:02:09.090> the<00:02:09.300> jazz<00:02:09.509> standards
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in Paris so is doing the jazz standards
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in Paris so is doing the jazz standards
is<00:02:10.170> this<00:02:10.520> a<00:02:11.780> diversion<00:02:12.780> from<00:02:12.930> what<00:02:13.200> your<00:02:13.500> tip
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is this a diversion from what your tip
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is this a diversion from what your tip
concert<00:02:14.520> might<00:02:14.700> look<00:02:15.060> like<00:02:15.120> her<00:02:15.480> do<00:02:15.660> you<00:02:15.720> often
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concert might look like her do you often
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concert might look like her do you often
do<00:02:16.440> a<00:02:16.770> variety<00:02:17.370> of<00:02:17.400> music<00:02:17.910> well<00:02:18.209> this<00:02:18.390> is<00:02:18.540> a<00:02:18.569> bit
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do a variety of music well this is a bit
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do a variety of music well this is a bit
of<00:02:18.930> a<00:02:19.020> diversion<00:02:19.319> we<00:02:19.980> try<00:02:20.190> to<00:02:20.250> keep<00:02:20.489> all<00:02:21.239> the
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of a diversion we try to keep all the
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of a diversion we try to keep all the
programming<00:02:22.170> under<00:02:22.950> one<00:02:23.250> umbrella<00:02:23.550> of<00:02:24.270> a
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programming under one umbrella of a
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programming under one umbrella of a
style<00:02:24.900> this<00:02:25.830> particular<00:02:26.220> one<00:02:26.580> is<00:02:26.940> jazz<00:02:27.720> very
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style this particular one is jazz very
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style this particular one is jazz very
often<00:02:29.099> will<00:02:29.280> do<00:02:29.600> or<00:02:30.600> typically<00:02:31.050> will<00:02:31.230> do<00:02:31.410> the
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often will do or typically will do the
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often will do or typically will do the
classical<00:02:32.880> quote<00:02:33.330> classical<00:02:33.959> style<00:02:34.290> concert
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classical quote classical style concert
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classical quote classical style concert
within<00:02:35.430> an<00:02:36.030> overture<00:02:36.660> of<00:02:37.590> solo<00:02:38.400> concerto<00:02:38.640> and
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within an overture of solo concerto and
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within an overture of solo concerto and
then<00:02:40.080> a<00:02:40.110> symphony<00:02:40.620> but<00:02:41.370> we<00:02:41.519> like<00:02:41.700> to<00:02:41.880> mix<00:02:42.150> it<00:02:42.269> up
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then a symphony but we like to mix it up
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then a symphony but we like to mix it up
and<00:02:42.720> do<00:02:43.470> different<00:02:43.680> things<00:02:43.890> and<00:02:44.370> collaborate
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and do different things and collaborate
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and do different things and collaborate
with<00:02:45.000> different<00:02:45.300> people<00:02:45.450> and<00:02:45.830> so<00:02:46.830> the
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with different people and so the
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with different people and so the
orchestra<00:02:48.090> committee<00:02:48.390> that<00:02:48.630> determines
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orchestra committee that determines
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orchestra committee that determines
programming<00:02:49.980> came<00:02:50.760> up<00:02:50.910> with<00:02:51.090> and<00:02:51.360> an<00:02:52.110> American
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programming came up with and an American
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programming came up with and an American
jazz<00:02:52.920> concert<00:02:53.549> very<00:02:54.360> nice<00:02:54.600> it<00:02:54.780> sounds
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jazz concert very nice it sounds
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jazz concert very nice it sounds
wonderful<00:02:55.230> with<00:02:55.680> your<00:02:55.860> special<00:02:56.100> guests<00:02:56.580> who
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wonderful with your special guests who
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wonderful with your special guests who
are<00:02:56.790>